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If you have much, give of your wealth; if you have little, give of your heart
Installation
Installed at Kulturmødet Mors, Nykøbing Mors (DK), 2024
Commisioned by Kunsthal Spritten
Materials: Discarded textiles, Reseda luteola, Madder root, Indigo, mattresses, pillows, carpet, re-sewn tent
Dimensions: Diameter: 7,2m, Height: 5m, M2: 35
Tent sewn by Cirkus Panik Teltmageri
Documentation by Andreas Rosforth Johnsen
Supported by/Collaborators: Cirkus Panik Teltmageri, Statens Kunstfond, SparNord Fonden, Knud Højgaards Fond, Erik Birger Christensens Fond, Fabrikken for Kunst og Design, Gabriel, Egetæpper, Elis DK
For press material and video presentation of the work please visit the Press section
DK
Med afsæt i “udveksling”, “tillid” og “generøsitet” som konkrete og filosofiske begreb har den marokkansk/danske billedkunstner Maria Nørholm Ramouk skabt værket If you have much, give of your wealth; if you have little, give of your heart som første gang kunne opleves i det nye naturområde Vildnisset på Kulturmødet Mors 2024. For Ramouk er netop tid – som ressource – en selvstændig pointe, der går igen i hele hendes praksis. Værket inviterer derfor også gæsterne til at give sig tid; til at sanse, til at være og til at reflektere ved fysisk at slå sig ned og tage ophold i værket.
Ramouks værk dannede desuden rammen om andre kunstneriske events og talks som fx. en længere samtale med forfatter og debattør Moussa Mchangama.
ENG
Based on "exchange", "trust" and "generosity" as concrete and philosophical concepts, the Moroccan/Danish visual artist Maria Nørholm Ramouk has created the work If you have much, give of your wealth; if you have little, give of your heart, which could be experienced for the first time in the newly initiated area Vildnisset at Kulturmødet Mors 2024. For Ramouk, time - as a resource - is an independent point that recurs throughout her practice. The work therefore also invites visitors to take their time to sense, to dwell and to reflect by physically residing in the work.
Ramouk's work also facilitated room for other artistic events and talks such as a conversations between author and debater Moussa Mchangama and Ramouk.
If you have much, give of your wealth; if you have little, give of your heart
Installation
Installed at Kulturmødet Mors, Nykøbing Mors (DK), 2024
Commisioned by Kunsthal Spritten
Materials: Discarded textiles, Reseda luteola, Madder root, Indigo, mattresses, pillows, carpet, re-sewn tent
Dimensions: Diameter: 7,2m, Height: 5m, M2: 35
Tent sewn by Cirkus Panik Teltmageri
Documentation by Andreas Rosforth Johnsen
Supported by/Collaborators: Cirkus Panik Teltmageri, Statens Kunstfond, SparNord Fonden, Knud Højgaards Fond, Erik Birger Christensens Fond, Fabrikken for Kunst og Design, Gabriel, Egetæpper, Elis DK
For press material and video presentation of the work please visit the Press section
DK
Med afsæt i “udveksling”, “tillid” og “generøsitet” som konkrete og filosofiske begreb har den marokkansk/danske billedkunstner Maria Nørholm Ramouk skabt værket If you have much, give of your wealth; if you have little, give of your heart som første gang kunne opleves i det nye naturområde Vildnisset på Kulturmødet Mors 2024. For Ramouk er netop tid – som ressource – en selvstændig pointe, der går igen i hele hendes praksis. Værket inviterer derfor også gæsterne til at give sig tid; til at sanse, til at være og til at reflektere ved fysisk at slå sig ned og tage ophold i værket.
Ramouks værk dannede desuden rammen om andre kunstneriske events og talks som fx. en længere samtale med forfatter og debattør Moussa Mchangama.
ENG
Based on "exchange", "trust" and "generosity" as concrete and philosophical concepts, the Moroccan/Danish visual artist Maria Nørholm Ramouk has created the work If you have much, give of your wealth; if you have little, give of your heart, which could be experienced for the first time in the newly initiated area Vildnisset at Kulturmødet Mors 2024. For Ramouk, time - as a resource - is an independent point that recurs throughout her practice. The work therefore also invites visitors to take their time to sense, to dwell and to reflect by physically residing in the work.
Ramouk's work also facilitated room for other artistic events and talks such as a conversations between author and debater Moussa Mchangama and Ramouk.
